Ant Colony - Michael DeForge

Drawn & Quarterly

$16.95 $21.95

Ant Colony by Michael DeForge / ISBN 9781770461376 / 112-page hardcover, about 8.8 x 11.3 inches, published by Drawn and Quarterly [a couple dents to the hardcover boards and light shelfwear, otherwise new]

***

“The Toronto cartoonist’s first full-length graphic novel follows a clutch of misfit ants, trying to maintain some semblance of civilization in the shadow of war. Psychedelically gorgeous, uncomfortably funny.”—Sean Rogers, Globe & Mail Best Books of 2014

“DeForge always seems utterly in control—from the dreamscape-on-drugs palette of electric blues, acid tangerines and lemon yellows, to the deft world-building worthy of Jack Kirby, to the winged terrors that nod to manga horror master Kazuo Umezu... DeForge is apparently of our species, but as a keen observer of multifaceted behavior, perhaps no cartoonist has a better compound eye.” —The Washington Post

The debut graphic novel from a dazzling newcomer with a singular, idiosyncratic style

In the few short years since he began his pamphlet-size comic book series Lose, Michael DeForge has announced himself as an important new voice in alternative comics. His brash, confident, undulating artwork sent a shock wave through the comics world for its unique, fully formed aesthetic. From its opening pages, Ant Colony immerses the reader in a world that is darkly existential, with false prophets, unjust wars, and corrupt police officers, as it follows the denizens of a black ant colony under attack from the nearby red ants. On the surface, it’s the story of this war, the destruction of a civilization, and the ants’ all too familiar desire to rebuild. Underneath, though, Ant Colony plumbs the deepest human concerns—loneliness, faith, love, apathy, and more. All of this is done with humor and sensitivity, exposing a world where spiders can wreak unimaginable amounts of havoc with a single gnash of their jaws.

DeForge’s striking visual sensibility—stark lines, dramatic color choices, and brilliant use of page and panel space—stands out in this volume.

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