Fantomas Versus the Multinational Vampires - Julio Cortazar

Name: Fantomas Versus the Multinational Vampires - Julio Cortazar
Brand: semiotext(e)
Price: 15.95 USD
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semiotext(e)

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Fantomas Versus the Multinational Vampires by Julio Cortazar / ISBN 9781584351344 / Translated by David Kurnick / small paperback from Semiotext(e)

The first translation of Julio Cortázar's genre-jumping meta-comic/novella, featuring Cortázar himself, Susan Sontag, and Octavio Paz in a race to prevent international bibliocide.

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First published in Spanish in 1975 and previously untranslated, Fantomas versus the Multinational Vampires is Julio Cortázar's genre-jumping mash-up of his participation in the Second Russell Tribunal on human rights abuses in Latin America and his cameo appearance in issue number 201 of the Mexican comic book series Fantomas: The Elegant Menace. With his characteristic narrative inventiveness, Cortázar offers a quixotic meta-comic/novella that challenges not only the form of the novel but its political weight in contemporary cultural life.

Needing something to read on the train from Brussels (where he had attended the ineffectual tribunal meeting), our hero (Julio Cortázar) picks up the latest issue of the Fantomas comic. He grows increasingly absorbed by the comic book's tale of bibliocide (a sinister bibliophobic plot to obliterate every book from the archives of humanity), especially when he sees the character Fantomas embark upon a series of telephone conversations with literary figures, starting with “The Great Argentine Writer” himself, Julio Cortázar (and also including Octavio Paz and a tough-talking Susan Sontag). Soon, Cortázar begins to erase the thin line between real-life atrocities and fictional mayhem in an attempt to bring attention to the human rights violations taking place with impunity in the country from which he was exiled.

Simultaneously funny and damning—Cortázar makes sure to include the Russell Tribunal's full report as an appendix—the novella is a quick, engaging read, sure to please the author's many fans.—Publishers Weekly

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