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Bonnet, Bartolomé Sanson.\u003c\/p\u003e\n\u003cp\u003eTo resonate: re-sonare. To sound again -- with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals. Resonance embraces a multitude of different meanings. Or rather, remaining always identical, it is actualized in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange. Addressing one or other of the forms that this idea of resonating can take on (extending -- evoking -- reverberating -- revealing -- transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold. The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader. Binding: thread-sewn metallic softcover; ISBN: 9782365820318; Size: 135 x 200 cm; Page count: 196 pp. Language(s): French\/English. Published by Shelter Press with the support of INA GRM.\u003c\/p\u003e","brand":"Shelter Press","offers":[{"title":"Default Title","offer_id":39328287948976,"sku":"9782365820349","price":24.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/Spectres2-ShelterPress-scan2.jpg?v=1615678343"},{"product_id":"afraid-of-modern-living-world-imitation-and-monitor-1977-1982","title":"Afraid of Modern Living: World Imitation and Monitor, 1977-1982 - Antonio S. 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Beecroft, accompanied a successful eponymous exhibition mounted at These Days in downtown Los Angeles in 2017. The initial edition of 100 pocketbook catalogs sold out on opening night. This expanded and enlarged edition draws from an archive of materials that hold up a funhouse mirror to Southern California culture, consumer dystopia, and the late 1970s punk movement.\u003c\/p\u003e\n\u003cp\u003eRarely seen handmade publications, paintings, sculpture, video, and vintage flyers are featured, along with World Imitation source materials and formative works. The author places World Imitation firmly in its time and place. Growing up in the paranoia and false optimism of mid-century suburban Southern California, the collective explored topics as disparate as exotica, psychedelia, pranks, UFOs, the paranormal, revolutionary politics, and Disneyland as subjects of anthropological research. 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Packed with photos and images of artworks, paintings, sculptures, installations, and assorted ephemera, including flyers for shows Monitor performed with the Bags, Human Hands, Germs, Phranc, Johanna Went, 45 Grave, The Fall, Cabaret Voltaire, Lydia Lunch, Bpeople, Suicide, and others.\u003c\/p\u003e","brand":"Sounds on Paper","offers":[{"title":"Default Title","offer_id":39328309870768,"sku":"9780692155806","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/Beecroft-WorldImitation2.jpg?v=1615678357"},{"product_id":"klangbilder","title":"Klangbilder - Karlheinz Stockhausen","description":"\u003cp\u003e\u003cem\u003eKarlheinz Stockhausen: Klangbilder \/ ISBN 9783862067251 \/ \u003cmeta charset=\"utf-8\"\u003e144 page hardcover from Verlag Kettler, text in English and German \/ out-of-print, last copies\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eIn the late 1950s, avant-garde musicians were exploring new ways of expressing their experimental compositions in writing. Searching for a universal language that would reach far beyond music, they no longer considered the traditional system of musical notation as sufficient. By progressing into electronic music, as well as by linking music and performance, they blurred the boundaries between different genres and inevitably changed the notation of music.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eKarlheinz Stockhausen, who was one of the leading pioneers in those days, used every conceivable form in order to give expression to his musical universe like no other. This publication, for the first time ever, provides insights into an aspect of his work that has been previously overlooked. It features drawings showing that Stockhausen developed a unique pictorial language for ideas which could not be expressed through music or words. 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Contributors and featured artists include Onyx Ashanti, Amy Cimini, Marcia Douglas, Kazuo Imai, Werner Durand, Peter Gente, Heidi Paris, Robert Ashley, “Blue” Gene Tyranny, Spencer Gerhardt, Adrian Rew, Paul Cummings, and Walter De Maria.\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eTaking its name from Maryanne Amacher’s visionary, unrealized opera, the fourth issue of Blank Forms’ journal, Intelligent Life, features a select group of unpublished, newly translated, or otherwise rare texts that augment our organization’s concerts, publications, exhibitions, and archival initiatives. The issue opens with a short literary essay by the author Marcia Douglas, in which a deep bass riddim guides a deaf narrator and a reincarnated Bob Marley through important sites in Rastafarianism’s development. 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Following this exploration of Onyx’s life and work, the issue dives deeper into mathematics, with a comprehensive essay on Catherine Christer Hennix’s engagement with intuitionism and other esoteric approaches to math, written by the mathematician and musician Spencer Gerhardt. Gerhardt’s lucid, previously unpublished essay serves as a necessary complement to Blank Forms Editions’ forthcoming collection of Hennix’s abstruse, mostly unpublished body of writing, Poësy Matters and Other Matters.\u003c\/p\u003e\n\u003cp\u003eThe issue continues with a sort of titular essay, a rich analysis of Amacher’s Intelligent Life—the first such piece on this work—by Amacher scholar Amy Cimini. 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Contributors include Henning Christiansen, Thomas Groetz, Diedrich Diederichsen, Dick Higgins, Lars Morell, Per Kirkeby, Bjørn Nørgaard, Helmer Nørgaard, Thorbjørn Reuter Christiansen, Anton Lukoszevieze, Hans-Jørgen Nielsen, Michael Glasmeier, Ute Wassermann, Stíne Janvin Motland, Mark Harwood, Lucy Railton, Graham Lambkin, Áine O’Dwyer, Lia Mazzari, Ursula Reuter Christiansen, Francesco Conz, and Emily Harvey.\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eThe third issue of Blank Forms’ journal is released in conjunction with Freedom is Around the Corner, a retrospective exhibition and performance series devoted to the work of pioneering Danish composer and artist Henning Christiansen (1932–2008).\u003c\/p\u003e\n\u003cp\u003ePerhaps best known for his collaborations and artistic affinities with notable artists such as Joseph Beuys and Fluxus members like Nam June Paik and Dick Higgins, Christiansen, who worked primarily on the remote Danish island of Møn, moved beyond his Fluxus roots to create a vast, often ineffable body of work that spanned music, performance, film, and visual art over the course of a fifty-year career. Yet Christiansen’s work has remained under the radar, even in the ten years following his death: only a few of his recordings were available until recently, and his prolific compositional and visual outputs have rarely been performed or exhibited in the United States. Freedom is Around the Corner—the exhibition, the performance series, and the journal—seeks to present Christiansen’s life and work in a holistic manner that befits his dynamic practice.\u003c\/p\u003e\n\u003cp\u003eLike previous issues of the Blank Forms journal, Freedom is Around the Corner collects a combination of newly discovered, never-before published, and newly translated materials; in this case, many of the materials were found in the Henning Christiansen Archive during the exhibition’s curatorial process. The issue begins with the first of four newly translated interviews with Christiansen himself, conducted circa 2006 by the German writer Thomas Groetz. Two others, conducted by Francesco Conz and Michael Glasmeier in the 1990s, come later in the issue; together these three interviews, which had only existed as audio recordings before, offer a well-rounded picture of the late-career Christiansen through his own, good-humored lens.\u003c\/p\u003e\n\u003cp\u003eThe fourth interview, a more experimental text conducted by Helmer Nørgaard, was originally published in Danish in the magazine DMT, in a 1986\/87 issue devoted to Christiansen. In this issue we’ve created a translated facsimile of that DMT issue, which also featured texts on Christiansen by his prominent Danish collaborators, the writer Lars Morell and the artists Per Kirkeby and Bjørn Nørgaard. We hear from other Christiansen collaborators through correspondence—including in transcribed letters from Emily Harvey and Dick Higgins, whose messages to and from Christiansen were recently discovered in the Archive—and through interviews, including newly conducted interviews with his wife and longtime collaborator, Ursula Reuter Christiansen; Bjorn Nørgaard, who spoke with Christiansen’s son Thorbjørn Reuter Christiansen; and later musical collaborators Werner Durand and Ute Wassermann.\u003c\/p\u003e\n\u003cp\u003eExcept Nørgaard, these collaborators will all speak or perform as part of the Freedom is Around the Corner programming; a section of this issue features many of the other performers as well, younger artists who have grappled with Christiansen’s legacy. Represented through interviews (Lucy Railton), original artworks (Graham Lambkin, Áine O’Dwyer, Stíne Janvin), and essays (Mark Harwood, Anton Lukoszevieze of Apartment House), these artists demonstrate the lasting and diverse impact of Christiansen’s work on today’s musical landscape. Lukoszevieze’s essay introduces a newly translated libretto for Dejligt vejr i dag, n’est-ce pas, Ibsen, a 1964 opera with music by Christiansen and libretto by Hans-Jørgen Nielsen which Apartment House, commissioned by Blank Forms, will perform twice during the run of the exhibition.\u003c\/p\u003e\n\u003cp\u003eTaken together—and even more, in conjunction with the exhibition and performances—the texts in this journal provide an in-depth look, previously unavailable, especially in the United States, at a towering but overlooked figure in the postwar musical as well as artistic avant-garde. Support for Freedom is Around the Corner comes from the Nordic Culture Point, the Nordic Culture Fund, Snyk, the Danish Arts Foundation, the Royal Norwegian Consulate, Goethe-Institut, the Danish Consulate General, Music Norway, and Ultima Contemporary Music Festival\u003c\/p\u003e","brand":"Blank Forms","offers":[{"title":"Default Title","offer_id":39392371146928,"sku":"9780692190708","price":22.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/BlankFormsMagazine2b.jpg?v=1615675874"},{"product_id":"beyond-heaven-chicago-house-flyers-volume-ii","title":"Beyond Heaven - Chicago House Flyers Volume II","description":"\u003cp\u003e\u003cem\u003eBeyond Heaven: Chicago House Flyers Volume II \/ A 96-page paperback from Almighty \u0026amp; Insane Books \/ full color \/ 6 x 9\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eWith the original out of stock, we were at a crossroads. 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Featuring an introduction by Bibbe Hansen―artist, Warhol star, and daughter of Fluxus co-founder Al Hansen―Transcendent Waves compiles scientific evidence, anecdotes, and thoughtful prompts for readers to manifest a sense of wonderment and appreciation for the intricacies of listening and the new perspectives it can bring to our daily creative worlds.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eVirtually every page of this book features a concept that forces you to reconsider your approach to listening, to music and the world around you. For Suarez, listening is an active mode rather than a passive one; by focusing on it, sound can spark your imagination and kickstart your creativity. 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Because Amacher worked across nearly every imaginable media format, this book will be of tremendous interest to theorists and practitioners in media and communications, urban design, contemporary art history, music studies, sound studies, film, radio, art criticism and performance studies.\u003c\/p\u003e","brand":"Blank Forms","offers":[{"title":"Default Title","offer_id":39430371934384,"sku":"9781953691002","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/MaryanneAmacher-cover.jpg?v=1616095001"},{"product_id":"my-mother-laughs","title":"My Mother Laughs - Chantal Akerman","description":"\u003cp\u003e\u003cem\u003eMy Mother Laughs - Chantal Akerman \/ paperback published by The Song Cave\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"My Mother Laughs may be Akerman’s most interior, psychological work. 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It celebrates the legacy of a filmmaker who changed the face of modern cinema and it is certain to delight and fascinate those who appreciate film, art, science fiction and fantasy.\u003c\/p\u003e","brand":"National Galleries of Scotland","offers":[{"title":"Default Title","offer_id":39436818514096,"sku":"9781911054344","price":37.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/RayHarryhausen-Titan.jpg?v=1621720961"},{"product_id":"cuba-music-and-revolution-original-album-cover-art-of-cuban-music","title":"Cuba - Music and Revolution - Original Album Cover Art of Cuban Music","description":"\u003cp\u003e\u003cem\u003eCuba: Music and Revolution: Original Album Cover Art of Cuban Music - The Record Sleeve Designs of Revolutionary Cuba 1960–85. \/ ISBN 9781916359802 \/ LP-shaped hardcover book from Soul Jazz Books.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eSpanning Cuban music from rumba to salsa, and graphic styles from socialist realist to geometric abstraction, this volume of Cuban record cover art traces a musical form in constant revolution.\u003c\/p\u003e\n\u003cp\u003eThe first ever book about Cuban record sleeve design, compiled by Gilles Peterson and Stuart Baker, Cuba: Music and Revolution features hundreds of rarely seen vinyl records from the start of the Cuban Revolution at the beginning of the 1960s up until 1985, when Cuba’s Special Period, brought about by the dissolution of the Soviet Union and the withdrawal of Russia’s financial support for the Cuban government, led to the demise of vinyl-record manufacturing in Cuba. 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In essence, John Fahey is to the solo acoustic guitar what Jimi Hendrix was to the electric: the man whom all subsequent musicians had to listen to.\u003c\/p\u003e\n\u003cp\u003eFahey made more than forty albums between 1959 and his death in 2001, most of them featuring only his solo steel-string guitar. He fused elements of folk, blues, and experimental composition, taking familiar American sounds and recontextualizing them as something entirely new. His artistic voice transformed the cultural landscape of his time—and ours.\u003c\/p\u003e\n\u003cp\u003eYet despite his stature as a groundbreaking visionary, Fahey's intentions—as a man and as an artist—remain largely unexamined. His memoir, How Bluegrass Music Destroyed My Life, was largely fiction; his liner notes were full of half-truths. John Fahey's real story has never been told—until now.\u003c\/p\u003e\n\u003cp\u003eJournalist Steve Lowenthal has spent years researching Fahey's life and music, talking with his producers, his friends, his peers, his wives, his business partners, and many others. He describes how Fahey introduced prewar blues records and the men who made them to a broader public; how his independent label Takoma set new standards; how he battled his demons, including stage fright, alcohol, and prescription pills; how he ended up homeless and mentally unbalanced; and how, despite his troubles, he managed to found a new record label, Revenant, that won Grammys and remains critically revered.\u003c\/p\u003e\n\u003cp\u003eThis portrait of a troubled and troubling man in a constant state of creative flux is the compelling story of a great American outcast.\u003c\/p\u003e","brand":"Chicago Review Press","offers":[{"title":"Default Title","offer_id":39557521932464,"sku":"9781613738795","price":14.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/JohnFahey-DanceOfDeath-book.jpg?v=1618111044"},{"product_id":"sun-ra-extensions-out-plus-four-poetry-books-1959-1972","title":"Sun Ra Extensions Out, Plus: Four Poetry Books (1959-1972)","description":"\u003cp\u003e\u003cem\u003eSun Ra, Extensions Out, Plus: Four Poetry Books (1957-1972). Facsimile reprints by a gallery working with the Sun Ra estate.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eCorbett vs. Dempsey is delighted to announce the release of four books of poetry by Sun Ra. Two of these were pamphlets that accompanied early Sun Ra albums issued in the late 1950s; the other two were published more than a decade later later by Infinity Inc.\/Saturn Research. CvsD's reprints are fastidiously designed facsimiles of the original publications, marking the first time they have been available in their Ra-ordained form since they were published.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAn architect of Afrofuturism and one of the great musical thinkers of the 20th century, Ra's work extended far beyond jazz and even music to the realms of pageantry, performance, theater, philosophy, visual art, and literature. In the mid 1950s, he handed out leaflets and gave streetcorner lectures – revisionist interpretations of the Bible and bold meditations on the status of African Americans in American society. A few years later, Ra began disseminating his poems in – and sometimes on – his albums. His debut, Jazz By Sun Ra, was issued in 1957 by the Boston-based Transition label, a short-lived company that sold records by subscription; this record contained a beautiful booklet, now as prized as the LP itself, with rare photographs and a selection of poems and proclamations, as well as the personnel and recording credits. Ra's Jazz In Silhouette was released two years hence on Saturn Records, the label he started with Alton Abraham, and it came with a mimeographed liner booklet – now exceedingly rare – that was folded, unstapled, as an ultra-economical accompaniment to the vinyl. The CvsD version folds this slim pamphlet of poetry into a slipcover with a classic photo portrait of Ra by Thomas \"Bugs\" Hunter on the back. Perhaps Ra's best known book of poetry, reprinted in many alternative versions with different contents over the years, is The Immeasurable Equation; this incarnation restores the original Infinity Inc.\/Saturn Research version, published in Chicago in 1972 and distributed widely by the Arkestra, often from the bandstand. It features more than 60 of Ra's poems.\u003c\/p\u003e\n\u003cp\u003eFinally, perhaps the rarest of Ra's poetry books is Extensions Out: Immeasurable Equation Vol. II, which was also published by Infinity Inc.\/Saturn Research. This 8 1\/2 x 11 inch book is a massive compendium of more than 130 poems, very much in step with the mimeo poetry publications of its era – simple staple binding, one-sided pages – featuring three photographs of artwork by Ayé Aton, a close ally of Ra's in this, the period of the Arkestra classic Space Is The Place, on which Aton plays percussion. Great care was taken to reproduce the special textured cover of this highly sought after book. These four books are exclusively sold as a set. The first edition is limited to 1000 copies. Corbett vs. Dempsey is proud to represent the non-musical side of the Sun Ra Estate. We gratefully acknowledge Irwin Chusid and Sun Ra LLC for the permission to release this historically rich chronicle of Ra's poetry, presented as he originally conceived it.\u003c\/p\u003e","brand":"Corbett vs. Dempsey","offers":[{"title":"Default Title","offer_id":39564340265136,"sku":"SUN3","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/SunRa-Book1.jpg?v=1621717036"},{"product_id":"sun-ra-and-aye-aton-space-interiors-and-exteriors-1972","title":"Sun Ra and Aye Aton - Space, Interiors and Exteriors, 1972","description":"\u003cp\u003e\u003cem\u003eSun Ra + Ayé Aton: Space, Interiors and Exteriors, 1972 \/ ISBN 9780984589210 \/ 112-page paperback, 9 x 8.5 inches\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003ePublished by PictureBox, Inc. and Corbett vs. Dempsey. Includes an introduction by Glenn Ligon and an essay by John Corbett.\u003c\/p\u003e\n\u003cp\u003eThis once-lost trove of photographs date from 1972, a pivotal year for Sun Ra. Half of the photos in this book are of interior murals made by Ra-colleague and musician Ayé Aton — spectacularly beautiful in their 1970s supersaturated color. From the same period, a cache of never-published photographs taken on location in Oakland for the film Space is the Place, features Ra in full regalia, wearing beautiful Egyptian costumes.\u003c\/p\u003e","brand":"PictureBox and Corbet vs Dempsey","offers":[{"title":"Default Title","offer_id":39565389988016,"sku":"9780984589210","price":27.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/Sun-Ra-Book-cover.jpg?v=1637907045"},{"product_id":"stan-brakhage-filmmaker","title":"Stan Brakhage - Filmmaker","description":"\u003cp\u003e\u003cem\u003eA discounted book but in excellent unread condition. \/ ISBN 9781592132720 \/ Temple University Press \/ Pieces by Jonas Mekas, Parker Tyler, etc.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eStan Brakhage: Filmmaker is a collection of essays, photographs, personal statements and reminiscences about the celebrate filmmaker, who died in 2003. The producer of some four hundred films, he is widely recognized as one of the great artists of the medium. His innovations in fast cutting, hand-held camerawork, and multiple superimpositions together created an unprecedentedly rich texture of images that provided the vocabulary for the explosion of independent filmmaking in the 1960s. His use of his own life and family as his subject matter and then later, his turn to hand-painted abstract films, inspired generations of filmmakers who refused the rewards of the mainstream film industry and instead tried to make cinema an artform directed by its own integrity and the vision of human emancipation.\u003c\/p\u003e","brand":"Temple University Press","offers":[{"title":"Default Title","offer_id":39581051748528,"sku":"9781592132720","price":9.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/StanBrakhage-filmmaker.jpg?v=1618498880"},{"product_id":"expanded-cinema-fiftieth-anniversary-edition","title":"Expanded Cinema (light wear) - Gene Youngblood","description":"\u003cp\u003e\u003cem\u003eExpanded Cinema: Fiftieth Anniversary Edition, by Gene Youngblood. Intro by \u003ca href=\"https:\/\/50wattsbooks.com\/search?q=buckminster+fuller\"\u003eBuckminster Fuller\u003c\/a\u003e. \/ ISBN 9780823287413 \/ 450-page paperback, 60 color illustrations and 284 b\/w illustrations \/ \u003cstrong\u003ebrand new copies with light wear (cover scuffing, light back cover crease) from inbound shipping \u0026amp; handling\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"a-text-italic\"\u003e\"Expanded Cinema\u003c\/span\u003e\u003cspan\u003e is one of the most prescient books written about our modern age.\"\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e--Chrissie Iles, Whitney Museum of American Art\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\"Expanded Cinema\u003c\/span\u003e\u003cspan\u003e defined the world of what is now known as media arts.\"\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e--Alvy Ray Smith, co-founder of Pixar\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFirst published in 1970, Gene Youngblood’s influential \u003cem\u003eExpanded Cinema\u003c\/em\u003e was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man\/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller―a perfectly cut gem of countercultural thinking in itself―places Youngblood’s radical observations in comprehensive perspective.\u003c\/p\u003e\n\u003cp\u003eProviding an unparalleled historical documentation, \u003cem\u003eExpanded Cinema\u003c\/em\u003e clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“Stan VanDerBeek coined the phrase ‘expanded cinema.’ But it was Gene Youngblood who put it on the cover of a book, filled it with rocket fuel, and sent it buzzing through the late-1960s art world like a heat-seeking missile. For its fiftieth anniversary, Expanded Cinema has been lovingly reissued by Fordham University Press with a substantial new memoir-ish introduction by the author. The volume reminds us to locate the techno-anarchic edge of what became ‘new media’ on the left coast, where filmmakers, psychedelic engineers, and intermedia practitioners wrested cybernetics from its military command-control origins in machine feedback loops and put it in dialogue with the autopoiesis of self-regulating, life-entangled systems mixing ‘mescaline and logarithms.’ . . . What makes the book so terrific is Youngblood’s heartfelt embrace of all these performative tinkerers trying to blast humanity into a higher state. His generosity is everywhere on display in these pages: a willingness, on our behalf, to sit, to listen, to endure, to space out, to vibrate with, to drift off, to rock out, to witness, and to report in gorgeous prose on the ‘shimmering trilling universe’ he experienced.” ― Artforum\u003c\/p\u003e","brand":"Fordham University Press","offers":[{"title":"Default Title","offer_id":39583158632624,"sku":"9780823287413","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/ExpandedCinema-Youngblood-cover.jpg?v=1618536491"},{"product_id":"they-live-a-visual-and-cultural-awakening","title":"They Live - A Visual and Cultural Awakening","description":"\u003cp\u003e\u003cem\u003eThey Live: A Visual and Cultural Awakening. Various Authors. 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A self-devouring paradox, Cage's modest avowal neatly draws attention to the impossibility of saying nothing, for once a frame of communication has been set up, be that frame a book or a musical score, a sheet of paper mounted in a gallery space or a performance scheduled in a concerthall (and Cage worked in all these media), emptiness will speak.\"―Paul Griffiths, Times Literary Supplement\u003c\/p\u003e","brand":"Wesleyan University Press","offers":[{"title":"Default Title","offer_id":39664890347696,"sku":"9780819571762","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/JohnCage-Silence-cover.jpg?v=1619751329"},{"product_id":"the-san-francisco-tape-music-center-1960s-counterculture-and-the-avant-garde","title":"The San Francisco Tape Music Center","description":"\u003cp\u003eThe San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde \/ A nice 320-page paperback, about 7 by 10 inches \/ ISBN 9781953691002. 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The heroes of the Center were in the business of realizing unimagined possibilities, and they did much to shape the legendary culture of San Francisco in the later sixties.\"—Alex Ross\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis book tells the story of the influential group of creative artists―Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin―who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco “scene,” the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. 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Last copies (hiding in a box), now out-of-print \/ \u003cstrong\u003epublisher note, \"Due to a binding error, the spine is now stained...All currently remaining copies of this book have stains on the spine, due to ink leakage through holes in the glue that holds the spine in place. This means that all the books are damaged\"\u003c\/strong\u003e (See photo.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eFrench graphic designer Olivier Lebrun follows on his previous publications documenting the books that appear in the popular cartoon television series with this anthology of more than 330 images and titles. All have been captured with a black-and-white animation screenshot and catalogued in alphabetical order. 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This Planet Is Doomed was expanded with the addition of several key 'lost' poems which appear here for the first time.\" 124 pages; softcover.\u003c\/p\u003e","brand":"Kicks Books","offers":[{"title":"Default Title","offer_id":39821750075568,"sku":"9780965977715","price":14.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/Sun-Ra-Book-This-Planet-Is-Doomed.jpg?v=1621709351"},{"product_id":"prophetika","title":"Prophetika (discounted) - Sun Ra","description":"\u003cp\u003eProphetika by Sun Ra, Foreword by Charles Plymell \/ small paperback from Kicks\/Norton Records \/ discounted copies but like new\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\"I'm a troubleshooter for the cosmos,\" said Sun Ra, \"sent here by the outer space beings from my home planet, Saturn.\"\u003c\/p\u003e\n\u003cp\u003eIntroduction by Phast Phreddie Patterson.\u003c\/p\u003e\n\u003cp\u003eA lost trove of unpublished end-times poetry and prose--hard-edged predictions and prognostications to mankind from the doomsday pen of visionary genius Sun Ra!\u003c\/p\u003e","brand":"Kicks Books","offers":[{"title":"Default Title","offer_id":39821770784944,"sku":"9781940157054","price":11.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/5215\/0960\/products\/Sun-Ra-Book-Prophetika.jpg?v=1621709873"},{"product_id":"organic-music-societies","title":"Organic Music Societies","description":"\u003cp\u003e\u003cem\u003eOrganic Music Societies, a 496-page paperback from Blank Forms \/ 6 x 8 inches \/ ISBN 9781733723589\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArchival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry\u003c\/p\u003e\n\u003cp\u003e\"With his legendary quartet of bassist Charlie Haden, drummer Ed Blackwell and trumpeter Don Cherry, they freed music from prescribed harmonies, rhythms and chord changes, revealing a true democracy to the music. [This] hefty 496-page new book ...seeks to clarify this time period.\" -- Andy Beta ― Washington Post\u003c\/p\u003e\n\u003cp\u003eDon Cherry and Moki Karlsson met in Sweden in the late ’60s. They married and began to perform together, dubbing their mix of communal art, social and environmental activism, children’s education and pan-ethnic expression “Organic Music.” Their home in Tågarp became a locus of artistic production, attracting free-spirited musicians, poets, actors and artists with the promise of collective life. There, Keith Knox assembled Tågarp Publication Number One to document the collectivistic practices blooming under the Cherrys’ guidance. Reproduced here, the text includes interviews with Terry Riley and Cherry, a piece on Pandit Pran Nath, a report on the Bombay Free School and a survey of the esoteric Forest University by Bengt af Kintberg. This book explores Don Cherry’s work of the period through additional interviews by Knox, a piece on his Relativity Suite and an essay by Fumi Okiji. Moki’s writings on her workshops are featured alongside full-color reproductions of her tapestries, used as performance environments by Don’s ensembles. 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His career boasts an incredible array of projects from designing cars to drafting architectural renderings, but he is most famous for his work as a concept artist on some of the most visually arresting films in the history of cinema. Since working on Star Trek: The Motion Picture in 1978 as a production illustrator Syd Mead has always aimed to render “reality ahead of schedule,” creating evocative designs that marry believable content with a neofuturistic form. It is this ability to predict technological potential that has helped Mead create such a distinctive and influential aesthetic. From his work with Ridley Scott on Blade Runner, to his striking designs for the light cycles in Tron, to his imposing concept art for the U.S.S. 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