Tolstoy, Rasputin, Others, and Me: The Best of Teffi / ISBN 9781590179963 / 224-page paperback from New York Review of Books Classics
Used copy, light shelfwear only.
Early in her literary career Nadezhda Lokhvitskaya, born in St. Petersburg in 1872, adopted the pen-name of Teffi, and it is as Teffi that she is remembered. In prerevolutionary Russia she was a literary star, known for her humorous satirical pieces; in the 1920s and 30s, she wrote some of her finest stories in exile in Paris, recalling her unforgettable encounters with Rasputin, and her hopeful visit at age thirteen to Tolstoy after reading War and Peace. In this selection of her best autobiographical stories, she covers a wide range of subjects, from family life to revolution and emigration, writers and writing.
Like Nabokov, Platonov, and other great Russian prose writers, Teffi was a poet who turned to prose but continued to write with a poet’s sensitivity to tone and rhythm. Like Chekhov, she fuses wit, tragedy, and a remarkable capacity for observation; there are few human weaknesses she did not relate to with compassion and understanding.
Teffi (1872–1952) was the pen name of Nadezhda Lokhvitskaya, born in St. Petersburg into a distinguished family that treasured literature. She and her three sisters all became writers. Teffi wrote in a variety of styles and genres: political feuilletons published in a Bolshevik newspaper during her brief period of radical fervor after the 1905 Revolution; Symbolist poems that she declaimed or sang in Petersburg literary salons; popular one-act plays, mostly humorous or satirical—one was entitled The Woman Question; and a novel titled simply Adventure Novel. Her finest works are her short stories and Memories, a witty, tragic, and deeply perceptive account of her last journey across Russia and what is now Ukraine, before going by boat to Istanbul in the summer of 1919. Teffi was widely read; her admirers included not only such writers as Bunin, Bulgakov, and Zoshchenko, but also both Lenin and the last tsar. In pre-Revolutionary Russia, candies and perfumes were named after her; after the Revolution, her stories were published and her plays performed throughout the Russian diaspora. She died in Paris.